All the Best November 6, 2009
Posted by Shujath in Hindi, Movies, Reviews.Tags: 2009, Ajay Devgn, Ajay Devgn FFilms, All the Best, Ashwini Kalsekar, Asrani, Bipasha Basu, blockbuster, Bollywood, Car Porn, comedy, Comedy of Errors, DVD, Fardeen Khan, Film, Fun Begins, Hindi, Johnny Lever, Just Chill, Movie, Mughda Godse, Mukesh Tiwari, Prem Chopra, Pritam, Review, Right Bed Wrong Husband, Rohit Shetty, Sanjay Dutt, Sanjay Mishra, Tobu
add a comment
Rohit Shetty’s fetish for car porn just got worse, his gags have become a lot more sillier and predictable – yet All the Best makes you laugh-out-loud for a satisfactory duration of its run-time enough to make you leave the theatre with a smile on your face.
This one’s a very traditional comedy of errors (supposed to be based on the play “Right Bed Wrong Husband” and also with a strong resemblance to the Kamal Haasan starrer Navvandi Lavvandi/Kadhala Kadhala) with the usual mix-ups and the ensuing mayhem – which is so unoriginal that you can correctly guess almost every forthcoming situation. Still, the actors seems to get their timing right most of the time and do succeed in tickling your funny bone. But beware that a film like this only works when you watch it in a theatre with a large crowd.
For me the best part of this movie is to see Sanjay Dutt back in form – especially after that horrendous Blue. He doesn’t do comedy much but has always delivered the few times he’s tried. As always Ajay Devgn manages to be very funny in Rohit Shetty’s films. Fardeen Khan and the girls have nothing much to do. Johnny Lever is quite impressive and he actually gets a meaty role after a very long time. Another surprise is Sanjay Mishra who brings down the house every time with his one note “Just Chill”. The rest of the supporting cast also delivers mostly.
If Rohit Shetty could have let gone of those unbearable car, action and song sequences All the Best could have been a memorable comedy; but I am sure he is so addicted to them that wishing something like that is a big joke. In any case this one works just fine for a lazy weekend watch.
Blue October 19, 2009
Posted by Shujath in Hindi, Movies, Reviews.Tags: 2009, 250 Deep Lies the Secret of Blue, action thriller, Akshay Kumar, Anthony D'Souza, AR Rahman, Bahamas, Bangkok, bikini, blockbuster, Blue, Bollywood, Buried Treasure, Chiggy Wiggy, Dhilin Mehta, DVD, Film, Fiqraana, Hindi, Kabir Bedi, Katrina Kaif, Kylie Minogue, Lady in Blue, Lara Dutta, Merzin Tavaria, Movie, Prime Focus, Rahul Dev, Rehnuma, Review, Sanjay Dutt, Sharks, Stunts, Treasure Hunt, Underwater, VFX, Zayed Khan
add a comment
250 feet deep lies the secret of Blue….100 minutes is what it takes to convince Sanjay Dutt to lead a quest to find that…18 minutes is what it takes for you to realize why Sanju Baba was being so difficult.
In the film, whenever anyone mentions the buried treasure in Sanju’s presence he automatically has these series of flashes about a wrecked ship and skeletons. Writer-Director Anthony D’Souza assumes that those flashes are enough to keep one awake and curious for most of the movie’s duration. Needless to say, the action sequences as well as the underwater stuff for all their finesse are extremely unexciting.
Even if you excuse the lame script, there is something fundamentally wrong here – it’s not just the buried treasure which is underwater….the overall energy levels of everyone and everything in the movie also seem buried 250 feet in the deep. You instantly know this because 1) Zayed Khan and Katrina Kaif actually outshine everyone else in a multistarrer film 2) Lara Dutta in a bikini has just about the same sex appeal as an overweight Sanjay Dutt in a diving suit. (To add to Sanju’s woes he is made to fight on land wearing that thing). 3) You pray that Akshay Kumar actually switches back to doing one of his monotonous comedy films.
After last year’s Love Story 2050, comes another film where you have to observe a two minute silence in solidarity with the technical crew. A.R Rahman’s compositions are somehow salvaged mostly because the most energetic ones appear during the opening title sequence and the end credits. The buried treasure was unlucky enough to be found by the team of Blue – you could escape the same fate if you haven’t ventured out to watch this one.
Short Kut – The Con is On July 13, 2009
Posted by Shujath in Hindi, Movies, Reviews.Tags: 2009, Abhimaan, Akshaye Khanna, Amrita Rao, Anees Bazmee, Anil Kapoor, Anil Kapoor Film Company, Arshad Warsi, Bollywood, Bowfinger, DVD, Film, film industry, Hindi, Katha, Neeraj Vora, Review, Sanjay Dutt, Shankar Ehsaan Loy, Short Kut, Short Kut - The Con is On, Star, The Con is On, Tikku Talsania, Udayananu Tharam
add a comment
Lately, Neeraj Vora and Anees Bazmee have been behind some blockbuster not-so-funny comedies but both of them coming together for a film did raise my expectations a little – especially given this was produced by Anil Kapoor. The promos also looked very promising and that’s why I picked this over other recent “blockbusters” like New York and Kambakkht Ishq to watch this week.
Yet again, I seemed to have made a wrong choice. I would atleast have been satisfied if this was in the league of the filmmakers’ previous flicks but that’s expecting too much now. Based on the Malayalam hit Udayananu Tharam, Short Kut has an interesting plot – whose basic core is derived from Sai Paranjpye’s “Katha” with a dose of “Bowfinger” towards the end. Shekhar (Akshaye Khanna) is an assistant director who finally completes his script and aspires to start directing. In comes his long time friend Raju (Arshad Warsi) who by any means wants to become a “star”. Raju believes in shortcuts to achieve anything in life and not surprisingly he ends up stealing Shekhar’s script and is catapulted to success. Shekhar is devastated and begins to lose control over his life but finally he gets a chance to redeem himself by directing a new film. The glitch however is that his film would now have to made with Raju.
Beyond the story, almost everything is Short Kut fails miserably. The most irritating aspect of this movie is the supporting cast; even if the movie were a lot more better it still could not have risen above the din created by those obnoxious characters. Their effect also seemed to have rubbed off on seasoned performers like Akshaye Khanna and Arshad Warsi who look quite tired and have great trouble getting their comic timing in place. Amrita Rao and Chunky Pandey don’t impress much either. In fact, the parts which I found funny in the trailers don’t work at all in the actual film.
Anees Bazmee and Neeraj Vora – who seem to love bombarding the message several times that “Shortcuts do not work” need to do some introspection and figure if they haven’t done the same with their own product. Shankar-Ehsaan-Loy’s score doesn’t have any instant chartbusters but for me that was one of the few things which provided some relief in this dreary experience. In line with the film’s message please do refrain from this “Short Kut”.