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All the Best November 6, 2009

Posted by Shujath in Hindi, Movies, Reviews.
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Rohit Shetty’s fetish for car porn just got worse, his gags have become a lot more sillier and predictable – yet All the Best makes you laugh-out-loud for a satisfactory duration of its run-time enough to make you leave the theatre with a smile on your face.

This one’s a very traditional comedy of errors (supposed to be based on the play “Right Bed Wrong Husband” and also with a strong resemblance to the Kamal Haasan starrer Navvandi Lavvandi/Kadhala Kadhala) with the usual mix-ups and the ensuing mayhem – which is so unoriginal that you can correctly guess almost every forthcoming situation. Still, the actors seems to get their timing right most of the time and do succeed in tickling your funny bone. But beware that a film like this only works when you watch it in a theatre with a large crowd.

For me the best part of this movie is to see Sanjay Dutt back in form – especially after that horrendous Blue. He doesn’t do comedy much but has always delivered the few times he’s tried. As always Ajay Devgn manages to be very funny in Rohit Shetty’s films. Fardeen Khan and the girls have nothing much to do. Johnny Lever is quite impressive and he actually gets a meaty role after a very long time. Another surprise is Sanjay Mishra who brings down the house every time with his one note “Just Chill”. The rest of the supporting cast also delivers mostly.

If Rohit Shetty could have let gone of those unbearable car, action and song sequences All the Best could have been a memorable comedy; but I am sure he is so addicted to them that wishing something like that is a big joke. In any case this one works just fine for a lazy weekend watch.

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Heyy Babyy September 12, 2007

Posted by Sai in Hindi, Movies, Reviews.
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This film deals with the life of three bachelors who seem to have no other job except to bed one woman after another. Their life suddenly changes when a baby girl is left at their doorstep with a claim that one of them is their father. They spend their time taking care of the kid and end up losing their jobs/money. They decide to abandon the child. A near-death experience for the baby brings about a change in them and they start developing a strong bond with her. At this point, the mother takes back her child. Now the guys try everything they can to get the child back. Will the baby help unite their parents?

Akshay Kumar and Ritesh Deshmukh do fine as expected but Fardeen Khan, who I used to consider a bad actor, seems to have improved over time at least as far as comedy goes. Vidya Balan, who has made an impression with all her previous roles, doesn’t come up trumps this time. The baby is cute but has little else to do except being herself. There are a host of guest appearances from a ton of actresses who are trying to make it in the industry. And good friend Shahrukh throws in a special appearance. Composers Shankar-Ehsaan-Loy deliver a first-rate soundtrack that includes foot-tapping numbers like Hey Baby and Jaane Bhi De as well as the lilting Meri Duniya. These certainly add to the film.

Like sister Farah Khan and brother-in-law Shirish Kunder, well known anchor Sajid Khan too jumps onto the directorial bandwagon (he did direct an episode in the Ram Gopal Varma production Darna Zaroori Hai earlier). Though it has the ingredients to be a box office hit, this isn’t a good film by any stretch of imagination. Going by his efforts in television, one had hoped for a much better film from Sajid Khan but he disappoints.

The first half of this film is filled with mostly childish humor. It does bring about a few smiles but largely it didn’t work for me. The emotional aspect did not make an impression on me either. However, there was an improvement in the second half of the film and it did make me laugh. Overall, this is only an average film that is not to be taken seriously and could appeal to those who have enjoyed recent comedies like Partner very much.

As I see it, this is an eighties film with a stylistic upgrade. The writing by Sajid is amateurish and anyone whose seen a lot of hindi movies can predict what is going to happen next. Most of the emotions are conveyed through dialogue and not really developed or felt. Such a lack of subtext is a clear indication of poor writing and direction. I had expected a much better film from Sajid Khan but he makes the kind of films that he has criticized in the past (maybe a little less over-the-top). Give me Shirish Kunder or Farah Khan anyday. Shirish Kunder’s superior grip on technical aspects was clearly on display in Jaan-e-mann while Farah Khan succeeded in her aim of making a masala seventies style film that walked the tightrope between laughing at itself and making the audience laugh. I liked the episode directed by Sajid in Darna Zaroori Hai but this film is a disappointment. This film has an audience but I am not a part of that audience and I hope Sajid makes a better film next time.

Lastly, a note to Sajid: “You may like the great Hrishikesh Mukherjee and might have been acquainted with him but please Sajid, stop using his name in reference to this film”.