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Krishna February 11, 2008

Posted by Sai in Movies, Reviews, Telugu.
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You might be forgiven for thinking that V V Vinayak and Srinu Vaitla directed this film together because, while the action and mind games are typical Vinayak stuff, the comedic elements (especially the oppressed turning oppressor aspect that includes a drunken thrashing) seem straight out of Vaitla’s book. This is quite a prototypical big-hero action film that is saved by the humor, which I believe is the primary reason for its box-office success (helped further by the weak competition during the favorable Sankranthi season).

Writer-director Vinayak isn’t new to gimmicks but he repeats some of his tricks this time. Flying vehicles aren’t as interesting now even if he replaces the Sumo with another SUV or even a lorry. One has to say, though, that some of the vehicles fly quite beautifully. Nevertheless, this isn’t the best thing in the film.

Brahmanandam is.

He isn’t the star of the film but he is the one that makes you laugh most and it is hard to not remember him first. Ravi Teja is obviously one of the more entertaining stars around and he does his job without really standing out this time. Trisha gets precious little to do but she looks good and her hard-to-miss-or-forget tattoo placement is something that I expect will feature in a lot of discussion among the audience. And then there is Mukul Dev as the main antagonist. He seems to be imitating his brother but his work here is better than what I’ve seen him do in Bollywood.

The songs in the film break the momentum every single time and are a bit of a pain to endure as the tunes aren’t special and neither are the visuals. The audience let out a collective sigh when the final song commenced. Ironically, it was the best of the lot, the typical pumped-up prelude-to-the-climax number lifted shamelessly (composer Chakri could have probably been forced to so) from Vidyasagar’s Gilli number Appadi Podu (and watching Ravi Teja dance isn’t quite the same as watching Vijay dance). The lyrics are especially lame. “Taratha ettukupotha” filled with gibberish and the mixed language “Tu mera dilbar O priyathama” are cringeworthy instead of being hip or something. Lyricist Chandrabose might have written the songs keeping the masses in mind but I think he is capable of much better.

This film entertains for a considerable amount of its length, thanks to writer-director Vinayak’s adept handling of the comedy and the performances of the actors in those scenes. Watch it if you must, but only for the humor.

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