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Veedokkade (Ayan) May 4, 2009

Posted by Shujath in Movies, Reviews, Tamil, Telugu.
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I had seen the promos of the Tamil version during its release a couple of months back and I wasn’t impressed at all – especially with Surya S/o Krishnan still fresh in my mind. However the release of the Telugu version had me excited quite a bit given the glowing reviews and box office success which “Ayan” garnered.

Veedokkade turned out be a mixed bag but still making me wonder why the original ended up being such a huge hit. I found this one to be a better and well-packaged version of the beaten-to-death Telugu action film but apart from that there wasn’t anything to look out for. Director K.V Anand tries to fill in a bit of everything for everyone the result being a product which cannot completely satisfy anyone. Among the everythings the one being talked about most is the action – the much touted “Yamakasi” sequence is the highpoint of the enterprise. Actually, I didn’t know what it was before so for those of you who are wondering about what it might be – well it is the technical name for those awesome foot chase sequences you have seen in the last Bourne and Bond flicks. In this film too it has been wonderfully done and part of the reason I did not like this movie a lot was the result of heightened expectations at the end of this scene.

The most boring parts are the romance (on the brighter side, great to see Tamannaah return to normalcy after Ananda Thandavam) and the surprisingly insipid music by Harris Jayaraj. The background score was quite good nevertheless. This is Surya’s film all the way – from pirating DVDs to smuggling Blood Diamonds, from foot chases in Africa to car chases in Malaysia he seems be having a blast. Prabhu is also impressive in a meaty supporting role. The cinematography is also worthy of mention – especially in the foreign locales.

Veedokkade could have been a smart action flick had K.V Anand concentrated all his energies on the main plot – excising out some of the unnecessary parts would also have achieved that effect to an extent. It still is a pretty good watch provided you do not have lofty expectations.

Ananda Thandavam April 14, 2009

Posted by Shujath in Movies, Reviews, Tamil, Telugu.
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Now that I’ve seen the movie, I think I might have figured out atleast to some extent the basic idea of what the original source material was all about. That’s probably the best compliment Ananda Thandavam can receive from me. A good number of folks who were in the audience with me can’t even say this because they didn’t even bother to hang on till the end.

Most of the times when highly anticipated films go horribly wrong; it is almost always because a concept which sounded good on paper doesn’t translate to the screen as expected. But this one is an exception. Here is an acclaimed director who sets about the task to translate an acclaimed writer’s most popular work on screen and the resulting film seems more as if the filmmaker wanted to get back at the (now dead) writer to settle a past lingering grudge. I seriously cannot find a better explanation than this.

I won’t speak about the plot because it might give you an much better impression of the film than it actually is. Coming to what went wrong the crappy screenplay comes instantly to my mind. However, even more vexing are the characters and the way they actually behave. Topping the list is that of Tamannaah. The intent of the filmmaker seems to be to project her thoughts and actions as childish but at the end of it she comes across more like a retarded slut. In fact there is a scene in the movie when the hero’s dad casts doubts on Tamannaah’s behaviour especially given that her parents are unusually eager to get her married to a guy they hardly know and much lower in social standing. At that point of time I guessed there really was some issue with the girl which would take the film in a new direction. Later I realized that was just the beginning of my disappointments.

The hero’s IQ also seems to be just one point more than that of our leading lady. In the midst of this there is one more guy – the philandering rich bald guy who everyone is supposed to hate; even here the director gets it wrong for the only thing you want to hate about him is his fake bald patch – tell me one instance in your life when you saw a brown skinned guy with a balding scalp painted in “white”. In spite of these and other umpteen causes I was still kinda interested know how this craziness would continue all the way till the end. A.R. Gandhi Krishna doesn’t disappoint in that aspect – the consistent imbecility delivered in each frame is really impressive. Even the talented G.V Prakash Kumar fails to impress except for the final song which is beautifully choreographed as well. I wouldn’t really blame the actors for their performances for I don’t see how they could have done more justice to their roles.

Ananda Thandavam is unarguably an instant “so-bad-it’s-good” flick but I think we might need to invent a new category for this – something on the lines of “I-actually-made-it-through-this” flick. Watch it if reading this piece has actually aroused your curiosity – I can’t offer any reason otherwise why you might subject yourself to this. Sujatha surely must be rolling in his grave.

Konchem Ishtam Konchem Kashtam February 20, 2009

Posted by Shujath in Movies, Reviews, Telugu.
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Konchem Ishtam Konchem Kashtam could have been just another feel good family entertainer on the lines of Dil Raju’s uber-successful flicks – with the underlying thread this time being separated parents. This part is built around the usualĀ  boy-meets-girl and boy-trying-to-win-over-girl’s-father stuff. What makes it stand out is however is the effervescent lead pair of Siddharth and Tamannaah who complement each other so well – something you hardly seen in Telugu mainstream cinema.

The film is mostly lighthearted and even if Brahmanandam’s act happens to be the one which doesn’t impress relatively; still watching him in that hilarious “Geethanjali” gag suffices for it. Venu Madhav actually gets a better role as the hero’s sidekick. Prakash Raj, Ramyakrishna and Nazar are fine as usual. Another thing you’ll take home is the music by Shankar, Ehsaan and Loy. It’s a wonderful score and the picturization of the songs is the icing on the cake. The title track is extremely catchy but the one I absolutely loved is the “Subramanyam” number. In terms of pure content there is hardly anything new about this film but the extremely good packaging and other factors combined make it a cool watch.

Apart from the film itself, I was much impressed with the really nice poster campaign – don’t get to see such things too often. Siddharth is in top form though it must be a cakewalk for him to do such roles now. Tamannaah might have a slightly subdued role but she always makes her presence felt – finally an actress who can be given a meaty role to handle and who is not called Genelia. The producer and director go by the names Bujji and Dolly but thankfully their work isn’t as frivolous.

On the whole, KIKK is a fun-filled outing – go for it!