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Baladhoor August 19, 2008

Posted by Shujath in Movies, Reviews, Telugu.
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Somehow pushing in a “family” in between doesn’t make a “clean family entertainer”. Udayasankar – best known for his blockbuster “Kalisundam Raa” few years ago tries his hand again with a feel-good family flick but cheated is the only thing you’ll feel after watching this.

For starters, you know a film isn’t going anywhere when Ravi Teja is talking less and fighting more. He plays this regular good-for-nothing guy who under certain circumstances gets thrown out of his family and has to win back their love and trust – especially of his uncle (Krishna). Successful films with this storyline have mostly relied of fun moments to sail through but the director decides to do something different here and his definition of fun just seems to be those flying-people-fights. Ravi Teja does most of those while Krishna is also brought in towards the end to throw a couple of punches. Whatever little laughs are there are brought in by our hero and Sunil but even that won’t make you smile too much. Brahmanandam is also given a lame routine to perform. Anushka gets to do her trademark slutty act once again. In one of the scenes, she makes multiple references to something shocking “she did when she was 13 years old”. Unfortunately, the censor board muted it out and kept everyone guessing.

In the first place you are subjected to a flick which starts being average, then turns boring and finally becomes almost unbearable….and on that you have these songs which don’t seem to run out. The collective groans of the audience when they realized that the song which they thought was the last in the film actually wasn’t is noteworthy.

Baladhoor is the most disappointing Telugu flick I’ve seen in the last few months and even if you are a die-hard Ravi Teja fan you might want to have second thoughts about watching this.

Satyabhama March 16, 2008

Posted by Sai in Movies, Reviews, Telugu.
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Amateurish direction, extremely lame dialogue and incomptent acting mar this film. Even though it takes a considerable amount of inspiration from a watchable romantic comedy (50 First Dates), this film is a pain to watch.

For those who are unaware of the plot, it is about a girl who has short-term memory loss (which, at one unintentionally funny point in the film is termed Amnesia – a horrible disease of forgetfulness or something like that) and re-lives the same day for a year. A young man falls in love with her and decides to improve the situation that she is in.

Debutant writer-director Sreehari Nanu’s inept handling of the content and his actors makes this a bad film. The dependable Bhoomika falters in a number of scenes, though she could have been an adequate replacement for Drew Barrymore. Sivaji has a horrible hairstyle and is unbearable at times. Chitram Seenu and Babloo irritate. The limited presence of the more watchable supporting cast members like Brahmanandam, Sunil and Chandra Mohan means that there is not much respite for the audience. Chakri’s soundtrack isn’t great and his ability to ruin decent tunes by singing them himself makes it a lacklustre effort overall.

Keep away from this one!

Krishna February 11, 2008

Posted by Sai in Movies, Reviews, Telugu.
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You might be forgiven for thinking that V V Vinayak and Srinu Vaitla directed this film together because, while the action and mind games are typical Vinayak stuff, the comedic elements (especially the oppressed turning oppressor aspect that includes a drunken thrashing) seem straight out of Vaitla’s book. This is quite a prototypical big-hero action film that is saved by the humor, which I believe is the primary reason for its box-office success (helped further by the weak competition during the favorable Sankranthi season).

Writer-director Vinayak isn’t new to gimmicks but he repeats some of his tricks this time. Flying vehicles aren’t as interesting now even if he replaces the Sumo with another SUV or even a lorry. One has to say, though, that some of the vehicles fly quite beautifully. Nevertheless, this isn’t the best thing in the film.

Brahmanandam is.

He isn’t the star of the film but he is the one that makes you laugh most and it is hard to not remember him first. Ravi Teja is obviously one of the more entertaining stars around and he does his job without really standing out this time. Trisha gets precious little to do but she looks good and her hard-to-miss-or-forget tattoo placement is something that I expect will feature in a lot of discussion among the audience. And then there is Mukul Dev as the main antagonist. He seems to be imitating his brother but his work here is better than what I’ve seen him do in Bollywood.

The songs in the film break the momentum every single time and are a bit of a pain to endure as the tunes aren’t special and neither are the visuals. The audience let out a collective sigh when the final song commenced. Ironically, it was the best of the lot, the typical pumped-up prelude-to-the-climax number lifted shamelessly (composer Chakri could have probably been forced to so) from Vidyasagar’s Gilli number Appadi Podu (and watching Ravi Teja dance isn’t quite the same as watching Vijay dance). The lyrics are especially lame. “Taratha ettukupotha” filled with gibberish and the mixed language “Tu mera dilbar O priyathama” are cringeworthy instead of being hip or something. Lyricist Chandrabose might have written the songs keeping the masses in mind but I think he is capable of much better.

This film entertains for a considerable amount of its length, thanks to writer-director Vinayak’s adept handling of the comedy and the performances of the actors in those scenes. Watch it if you must, but only for the humor.