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Wanted October 6, 2009

Posted by Shujath in Hindi, Movies, Reviews.
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Wanted might not have turned out that huge a huge blockbuster as it seemed poised to be prior to its release – the most probable reasons being that – for our “intelligent” audiences that Salman isn’t the right “Khan” and the production house “BSK” doesn’t exactly rhyme with a certain “YRF”. Never mind because Salman Khan is back and how!

Given the long tally of flops credited to his account – most being inconsequential cameos, the biggest attraction of Wanted is that Salman is really in there all over the place. Wanted is a pretty faithful remake of Pokiri in terms of the plot but it really feels more like some South Indian superstar’s over-the-top masala flick. And that works here quite well because we don’t get to see such stuff nowadays – more likely because there aren’t too many stars around to pull off such a thing; which posits the obvious question to Salman – Why haven’t you done something like this until now? Apart from its leading man, Wanted has almost nothing to offer but then who cares. On the whole, Wanted will obviously draw unfavorable comparisons to Pokiri but Prabhu Dheva’s intentions are pretty clear from scene one – which is unabashed superstar worship.

Salman Khan is definitely having a ball – be it fighting, dancing or romancing. Needless to say I cannot think of any other actor who could manage all this with such elan. Ayesha Takia even in such an insubstantial role is very impressive and her chemistry with Salman is crackling. Prakash Raj actually gets quite a meaty part when compared with the original and he’s a lot of fun. Mahesh Manjrekar is also very effective. Salman Khan seems ready to break into a dance at any moment but barring a couple, Sajid-Wajid’s tracks lack the required steam. The solid action sequences (Vijayan) are definitely the best part of this enterprise.

If you are a fan of Salman, then Wanted is the movie you’ve been waiting for; but if aren’t one then do remember you were warned!

Fashion November 2, 2008

Posted by Shujath in Hindi, Movies, Reviews.
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The best thing about Madhur Bhandarkar’s films is that as long as you don’t belong to the group of people he is caricaturing – it is a no-holds-barred guilty pleasure trip for the viewer who gets to see folks on high pedestals being brought down mercilessly. Bhandarkar has successfully used this formula in each of his three previous films (Page 3, Corporate and Traffic Signal). This time his focus is the “Fashion Industry” which no doubt provides ample material (probably more than all of this previous films combined) which Bhandarkar is an expert at handling. And yes…he leaves no stone unturned as he throws light on the troubled souls, depraved lifestyles and what not! The director also could only sneak only at most a couple of gay characters in each of his previous films but it’s a dream come true for him and except for Arbaaz Khan (who plays the head honcho of a leading Fashion firm), every designer (without exception) is a homo.

Fashion traces the story of a highly ambitious girl Meghna (Priyanka Chopra) from Chandigarh, who against the wishes of her dad (Raj Babbar) comes to Mumbai with the dream of becoming a supermodel. As expected she finds out everything isn’t so rosy but still the whirlwind success she has goes to her head until everything comes down falling like a pack of cards.Through her journey we also witness the lives and troubles of other people she comes in contact with.

The biggest USP of Fashion is that a lot of real life incidents/people where it takes inspiration from – is the stuff which makes TRPs on news channels hit the roof. No wonder it is all the more interesting when you see it unfold on the big screen. And before you get all too enthused let me warn you there is a big BUT – I still find it hard to digest how the director absolutely loses track about what he wants to convey through the film. A litte comparison with his other films would do good here. Each one (Page 3, Corporate and Traffic Signal – to an extent) involves the journey of the protagonist through a certain industry/lifestyle who ends up completely disillusioned/victimized while the industry/lifestyle in question is laid threadbare. The way these films end was the most appealing part to me (but I know lot of people who aren’t comfy with abrupt, inconclusive and bleak endings).

At the beginning of Fashion you see that Meghna’s father is opposed to her being a model (which we assume is for the usual reasons) but when she ruins herself and comes back home the same guy is now encouraging her to not lose hope, take up the profession again and “fight back”. Almost all through the movie you see the Fashion Industry being ridiculed but the moral of the story at the end seems to be – as long as you don’t take success to your head everything is pretty much fine here – talk about U-turns! Even if you cannot ignore this hard-to-ignore fact Fashion still has Bhandarkar’s masala-realism stamped all over it and except for the somewhat prolonged penultimate portions it keeps you entertained.

There’s a huge cast (with known and unknown faces) but it’s the ladies who rule the roost. Priyanka gets a powerful author-backed role and she does full justice to it. Definitely should be the first choice of this year’s awards simply going by the screen time alloted to the protagonist. Kangana was born to play Shonali. I cannot imagine anyone who can come close to her with a role like this. There are a few sequences where even Priyanka gets to do a similar act – compare her and Kangana and you’ll know what I am talking about. Debutant Mughda Godse is very impressive. Given this is a Madhur Bhandarkar film – the over-the-top gay portrayals are expected and shouldn’t be a reason to cringe. The short background piece (Salim-Sulaiman) which keeps playing throughout is nice.

I must admit I thoroughly enjoyed watching this flick even though at the end I came out with a strong tinge of disappointment at the back of my head. Keeping this aspect in mind, go watch Fashion and I promise you won’t regret it.