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Yuganiki Okkadu (Aayirathil Oruvan) February 12, 2010

Posted by Shujath in Movies, Reviews, Tamil, Telugu.
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In production for almost two years, Selvaraghavan’s magnum opus is finally out. To be honest, though I had high expectations from this film I kinda figured out it might in the end turn out be that great – given the track record of modern “period fantasies” in Indian cinema. I couldn’t have been more wrong – Yuganiki Okkadu totally blew me away! It’s bold, it’s original and most importantly – absolutely engrossing till the very last frame. The latter aspect could also be attributed to the fact that almost 40 minutes of footage from the original Tamil version were chopped off for Telugu audiences.

Yuganiki Okkadu begins as a rescue mission to an unknown place find the whereabouts about an archaeologist who had gone missing in search of a lost Chola Kingdom. I cannot give away anymore of the plot without major spoilers. Selvaraghavan (who also wrote the film) beautifully blends adventure, historical fiction and the supernatural – and it is precisely this expert plotting that mostly earns the film its brownie points. It is also very humorous in some of the most unexpected places. This is also a film where the elaborate set-pieces and VFX seem so much a part of the film – rather that stand out as the lone USPs in plotless blockbusters. But then this isn’t a film for a casual viewer or someone whose idea of a film is a “family entertainer”. There is uninhibited blood, gore and raw sexuality which is sure to alienate a considerable number of people.

The casting is again spot on. Karthi (his second film after three years), Reemma Sen and Andrea are the naughtiest trio you’ll see on screen for a very long time – especially the risque moments between them are a hoot. Parthiban excels in a major supporting role. G.V Prakash again comes up with a great score. I don’t think I’ve enjoyed a Telugu movie so much in recent years and I can be pretty sure no one is going to bring out a movie like this in the future unless Selvaraghavan tries being even more awesome.

Jodhaa Akbar February 17, 2008

Posted by Sai in Hindi, Movies, Reviews.
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Period films aren’t common in Hindi cinema and they don’t work well at the box office. That is primarily because movies like Subhash Ghai’s disastrous offering Kisna and the way-off-the-mark Asoka by Santosh Sivan are being dished out in the guise of landmark films. Finally, we have a notable entry in the historical genre in the form of Jodhaa Akbar. Director Ashutosh Gowariker (Swades, Lagaan) shows us that it can be done even if he takes too much time.

The film begins when a young teenager, Jalaluddin Mohammad (who will later be known as Akbar), is forced to take over the reigns of the kingdom due to the death of his father, Humayun. His next few years are spent waging wars under the guidance of Bairam Khan. When Jalal is old enough to take over, he resorts to more peaceful ways of expanding his control and uniting Hindustan under the Mughal rule. Meanwhile, the Rajput ruler of Amer, who is also against wars, decides to join his hands with Akbar, incurring the wrath of other Rajput rulers. Faced with a dilemma, he decides to marry his daughter, Jodhaa to Akbar. The rest of the film deals with the developing relationship between the two as well as the rule of Akbar during that period.

The writers (Haider Ali and Gowariker himself) effectively mix historical facts with fiction to create a watchable film. Though the film touches many aspects, both political and emotional, the writers manage to keep it uncomplicated. The visuals are extremely impressive. The production design by Nitin Desai is superlative and I loved the costumes, head gear and jewellery by Neeta Lulla. Cinematographer Kiran Deohans captures these beautiful visuals but Gowariker makes sure that they don’t become the focus in any of the scenes. A R Rahman, once again, delivers for Ashutosh. The songs are lovely (Jashn-E-Bahara is probably my favorite) and his background score is commendable (especially for the scenes involving Hrithik and Aish). Ashutosh films the nicely choreographed Azeem-O-Shaan Shahenshah and the romantic In Lamhon Ke Daaman Mein numbers well and Manmohana is placed quite effectively but Khwaja Mere Khwaja does not warrant a place in the narrative.

Ashutosh, as always, casts well and both his lead actors have what it takes to look regal. Hrithik Roshan pulls off a tough role once again with ease. Some might feel that he doesn’t look like Akbar because of the preconceived images of Prithviraj Kapoor (Mughal-e-Azam) or Vikram Gokhale (Akbar-Birbal teleseries) but better sense should prevail. He doesn’t quite have the baritone of Amitabh Bachchan or even Raza Murad (who plays the prime minister in this film) but he does his best to make up for it with his earnest dialogue delivery. Aishwarya Rai is more beautiful here than in any of her recent films and this is as natural a performance as she has ever given in her career. She far exceeds my expectations. Kudos to Gowariker for bringing out the best in these two. As usual Ashutosh Gowariker collects an eclectic and less exposed cast for this film including Ila Arun (who manages to be quite scary as Maham Anga), Kulbhushan Kharbanda (who played a King in Lagaan as well) and Punam Sinha (presumably Shatrughan Sinha’s wife, who is very likable as Akbar’s mother) and it always helps to relate better to the characters. Sonu Sood gets to play a sympathetic role as Jodhaa’s cousin, Sujamal. A good opportunity for him to get better recognition and hopefully, more roles that can justice to his capability.

This isn’t quite the perfect film. The first hour of the film is somewhat languorously paced and doesn’t really pull you in despite the visual splendour. This section could have been shortened, considering the length of the film. The film holds strong appeal once Jodhaa and Akbar get together. The best parts of the film involve the interactions between these two characters. Gowariker creates some brilliant scenes here with subtle expressions and reactions from both his lead actors. In fact, Ashutosh’s impact is all over this film and he successfully pulls off another challenging film, even if isn’t a great one.

This film is clearly not for those who cannot sit through one that lasts over 200 minutes. Also, it isn’t for those who want simple entertainment and are likely to look at this as a history lesson. For the rest, this is recommended because one hardly gets to see such a well made historical in India.