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Rann February 5, 2010

Posted by Shujath in Hindi, Movies, Reviews.
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Ramu’s take on the media looks more like a Bhandarkar-esque affair – still it works because the film doesn’t compel you to take it seriously. This is a theme whose Bollywoodization was long overdue and even if the end result seems inexcusably dumbed-down, it is still fairly engaging. I actually loved Paresh Rawal as the vile politician – it’s been so long since he has played a role like this. Even though it is hands down the most throwback eighties character you’ve probably seen on screen these days.

My favorite nevertheless was Mohnish Behl – as the scheming head-honcho of a news channel he is top class – would love to see him more on the big screen. Sudeep, Suchitra and Rajpal Yadav are also impressive. Surprisingly the lead characters – Amitabh and Ritesh are the most uninteresting characters of the entire enterprise. The latter especially plays the dumbest investigative journalist ever – somebody please tell him that there is a silent mode on a cell phone, a rear view mirror to a car and that it is possible to make copies of DVDs.

Rann is far from being among RGV’s better films, still it makes the cut when you compare it with his more recent ventures. Worth a look.

Hello October 13, 2008

Posted by Shujath in Hindi, Movies, Reviews.
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The good news first – In an interview prior to its release Atul Agnihotri promised to stop making films if Hello doesn’t work. So, I do assume he’s going to stand by his word. After the rocking “Bang Bang” number a sleepy Salman Khan is shown waiting in an airport lounge when from nowhere Katrina Kaif turns up and offers to narrate a story provided he makes a film on it. Since Sallu had a bad experience with his brother-in-law before he is absolutely hesitant to commit initially and even when he does later you can’t help notice the boredom on his face and wonder if he actually saw it coming. Even at the end of the narration when Katrina asks if he liked the story, out comes an embarrassing “yes”.

I haven’t read Chetan Bhagat’s novel but I remember a few of my friends telling me a couple of years back that it was one of the most overrated books they ever read. I think they were pretty much right. Even if you account for all the writing and directorial flaws, you still have to acknowledge the crappy source material which was the inspiration for this movie. We have two guys, three girls and one uncleji who are having personal issues which have taken a toll on their life. We are supposed to believe that these problems are so unique which no one on earth has had to endure before. After enough frustration in the office they decide to take a break and go chill out for a while when their car swerves accidentally and they are caught in a life or death cliffhanger situation. Just in time God makes a call on their mobile and gives them a pep talk (mostly made up from motivational self-help posters you’ll generally see in office buildings and hospitals). Following which everyone follows the never-before-heard advice and….miracles happen!

The most irritating aspect of this movie is the writer and director’s sense of misplaced superiority and partiotism. On the first day of a call-center training class people are taught (by presumably an American instructor) that an average 35 year old American has the intelligence of a 10 year old Indian kid. To prove this you see employees attending queries where a lady complains that her laptop isn’t working because she didn’t switch it on, someone can’t turn his vacuum cleaner off and another one is surprised that she can’t wash her bra in a dishwasher! The icing on the cake comes at the end when our call-center employees try to increase their call volumes to save their jobs – the less said about that instance the better! There are a couple of instances when Sohail Khan talks about how they are doing a favor to America by taking a call-center job. People actually working in call-centers should take extra precaution to make sure that none of their overseas employers watch Hello.

Despite being mostly moronic, the only thing which makes you sit through Hello are a few comic moments generated by Sharman Joshi (the pick of the lot), Sohail Khan and Suresh Menon (quite hilarious as the rapping “systems guy”). Sajid-Wajid’s tunes are good but they don’t help make the movie any better. Beware of Hello – you are better of without taking this call.